Our Materials & Process
Archival fine art printing combines museum-quality materials and handcrafted processes to create lasting visual brilliance and long-term preservation for every Brenda Kay Welty limited edition print.
Archival Fine Art Printing Papers
We print on Red River’s finest archival photo and fine art papers. Sourced from top global mills, these papers deliver exceptional color and texture—lasting up to 200 years under proper conditions.
Additionally, archival papers resist yellowing and degradation, making them ideal for collectors and long-term display.
Canon Lucia Pro II Pigment Ink
We use Canon’s newest pigment‑based inks, offering superior fade resistance and rich color vibrance. Color prints can last up to 200 years, while black & white prints may last even longer under proper storage.
Furthermore, these inks resist UV exposure and humidity, making them ideal for archival preservation.
Hand Printed by the Artist
Every limited edition is hand‑printed by Brenda Kay Welty on the Canon PRO‑1100, Canon’s 12‑ink Lucia Pro II printer. Moreover, it offers outstanding color fidelity, depth, and consistency while delivering true gallery-quality prints.
Conservation Mat & Backing
We use 100% virgin alpha‑cellulose mat boards and backers that are acid‑free, lignin‑free, and buffered with calcium carbonate. These meet Fine Art Trade Guild conservation standards, offering fade‑ and bleed‑resistance. In contrast, while regular mats might last 5–25 years, conservation mats are expected to last for decades, often 50 years or more, with some estimates suggesting a lifespan of 50-150 years.
Solid Wood Frames by US Art Frames
These frames are handmade in Georgia from solid poplar wood—chosen for its durability and lower acidity range compared to other species like oak, cedar, or hemlock. Our studio (Brenda Welty Photography) applies a seal tape to the rabbit of these frame, to create a barrier against any acids and moisture. This helps protect the artwork from damage and helps extends its lifespan. Crafted with attention to detail, these frames provide a safe, refined presentation.
Archival Framing Materials by Lineco
We complete our archival framing with Lineco’s professional-grade tapes, adhesives, sealing materials, and backing papers. Made in the USA and meeting Library of Congress standards, these materials help minimize off‑gassing and protect your artwork. As a result, sealing the rabbet creates a protective barrier that helps preserve artwork for years to come.
Brenda Kay Welty crafts every print to the highest standards for collectors, galleries, and future generations.